LIVE LAB :
( av / sound / music) :
Makino Takashi
Signe Liden
SonADA
(film) :
Bertrand Mandico
Elina Löwensohn
Katrin Olafsdottir
Sebastien Ronceray
(residenciess) :
Benedicte Clemetsen
Brendan Colvert
Douce Mirabaud
Rikke Benborg
Simon Hjermind Jensen
Stuart McLean
(storytelling) :
Erin Catriona Farley
Tom Muir
SCREEN :
(pgn open call) :
Anne Robinson
Arnont Nongyao
Calum Stirling
Dan Shay
Deniz Üster
Elen Gruber
Gabriel Otero
Grace Schwindt
Gustaf Broms
Jessica Cheeseman
Maren Dagny Juell
Mademoiselle L
Ola Surdacka
Richard Ashrowan
Verena Kyselka
Cassia Dodman and Duncan Herd
(partners programme):
700IS
FixC
SKOGUL GONDUL
VIDEOTAGE
 
 
Rikke Benborg
Rikke Benborg Papa Westray Orkney
residency (Summer 2014)

During her stay on Papa Westray Rikke Benborg made costumes celebrating the beautiful, the grotesque and the mythical, as well as exploring solitude and transformation. She started a film log documenting experiments with the natural elements, and reflections on the physical and geographical environment - ideas and records, which at the same time will serve as visual starting points for future projects
 
 
Rikke Benborg Papa Westray Orkney
SLEEPWALKERS
4min / 2014
 
 
rIKKE bENBORG pAPA wESTRAY
BEAST, EYES, DOLL'S DISGUISE
installation loop / 2014
 
 
Rikke Benborg is a film and video artist, living and working in Copenhagen. Educated from The Royal Danish Academy of fine art (MA visual arts), and from Middlesex University in London (BA hons fine art).

My works often attempt to explore the illogic of dreams and the unconscious. I prefer surreal fragmented narratives as oppose to traditional cinematic storytelling. Film for me becomes a tool for exploring the logic and the poetics of the image. I often include elements of animation in my work. Animation, with it's ability to make the inanimate come alive, and make the hidden apparent, almost have an alchemistic quality and thus it encompasses everything magic, oscure and un?
That quality attracts me.
I am similarly seduced by everything theatrical: the gestures and melancholy of early silent film, in particular, and all sorts of work that deals with unrealistic aesthetics, masks and dressing up in weird costumes.
I often work in a formal, minimal language, but strangely I feel informed by all the opposites.
 
 
 
 
  2015
   
  INTRODUCTION
   
  PARTICIPANTS
   
  PROGRAMME
   
  SNÆ #4
   
  TICKETS+SHOP
   
  CONTACT
   
 
 
 
LIVE LAB
 
© LAND ART - PAPA WESTRAY 2010